{"id":63,"date":"2008-07-14T21:57:21","date_gmt":"2008-07-14T19:57:21","guid":{"rendered":"http:\/\/berdec.dyndns.org\/wordpress\/?p=63"},"modified":"2011-07-18T22:14:38","modified_gmt":"2011-07-18T22:14:38","slug":"bridget-riley-au-musee-dart-moderne-de-la-ville-de-paris","status":"publish","type":"post","link":"https:\/\/sntrvfl.org\/blogpat\/?p=63","title":{"rendered":"Bridget Riley au Mus\u00e9e d&rsquo;Art moderne de la ville de Paris"},"content":{"rendered":"<p>Le Mus\u00e9e d\u2019Art moderne de la ville de Paris propose une r\u00e9trospective Bridget Riley artiste dont tout le travail repose sur la perception optique et les illusions.<!--more--><\/p>\n<p>L\u2019artiste n\u2019a jamais eu en France l\u2019audience qu\u2019elle m\u00e9ritait \u00e9videmment. Ses \u0153uvres des d\u00e9buts en noir et blanc sont \u00e0 ce point b\u00e2ties sur l\u2019illusion optique qu\u2019elles sont presque impossibles \u00e0 observer, tant se m\u00ealent formes et lignes pour troubler la vue. Les \u0153uvres plus r\u00e9centes progressivement conquises par une polychromie plus vaste en reprennent le principe, sans toujours, me semble-t-il en conserver la force percutante.<\/p>\n<div id=\"attachment_145\" style=\"width: 330px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/sntrvfl.org\/blogpat\/?attachment_id=145\" rel=\"attachment wp-att-145\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-145\" class=\"size-full wp-image-145 \" title=\"Bridget Riley: Arrest 1 - 1965\" src=\"http:\/\/sntrvfl.org\/blogpat\/wp-content\/uploads\/2010\/01\/bridget_riley_arrest_1_19651.jpg\" alt=\"\" width=\"320\" height=\"324\" srcset=\"https:\/\/sntrvfl.org\/blogpat\/wp-content\/uploads\/2010\/01\/bridget_riley_arrest_1_19651.jpg 400w, https:\/\/sntrvfl.org\/blogpat\/wp-content\/uploads\/2010\/01\/bridget_riley_arrest_1_19651-296x300.jpg 296w\" sizes=\"(max-width: 320px) 100vw, 320px\" \/><\/a><p id=\"caption-attachment-145\" class=\"wp-caption-text\">Bridget Riley: Arrest 1 - 1965<\/p><\/div>\n<p style=\"text-align: center;\">\n<p>Une exposition passionnante.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hypnose&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3,19,6,9],"tags":[],"_links":{"self":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts\/63"}],"collection":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=63"}],"version-history":[{"count":4,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts\/63\/revisions"}],"predecessor-version":[{"id":529,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts\/63\/revisions\/529"}],"wp:attachment":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=63"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=63"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=63"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}