{"id":766,"date":"2016-11-13T22:35:50","date_gmt":"2016-11-13T21:35:50","guid":{"rendered":"http:\/\/sntrvfl.org\/blogpat\/?p=766"},"modified":"2017-09-16T14:44:31","modified_gmt":"2017-09-16T12:44:31","slug":"bouts-de-chardons","status":"publish","type":"post","link":"https:\/\/sntrvfl.org\/blogpat\/?p=766","title":{"rendered":"Bouts de chardons"},"content":{"rendered":"<p>Peut-on sauver l\u2019exposition Edme Bouchardon au Louvre ?<sup><a id=\"ffn1\" class=\"footnote\" href=\"#fn1\">1<\/a><\/sup>. Pas s\u00fbr.<\/p>\n<p>Certes,<em> l\u2019Amour taillant son arc<sup><a id=\"ffn2\" class=\"footnote\" href=\"#fn2\">2<\/a><\/sup><\/em> \u2026 est sans conteste une des plus belles sculpture classique qui soit, chef-d\u2019oeuvre d\u2019<strong>ambigu\u00eft\u00e9<\/strong>.<\/p>\n<p>H\u00e9las, l\u2019organisation banalement chronologique au risque de l\u2019ennui et l\u2019\u00e9clairage calamiteux &#8211; euph\u00e9misme &#8211; rappellent qu\u2019une exposition n\u2019est pas que l\u2019accrochage aux murs de quelques dessins aussi beaux soient-ils, ni l\u2019<strong>exhibition<\/strong> sur socles de quelques pi\u00e8ces \u00e9cras\u00e9es par une lumi\u00e8re sans nuance.<\/p>\n<p>Ambigu\u00eft\u00e9, exhibition : si les commissaires avaient fait preuve d\u2019imagination\u2026 Je doute que la sensualit\u00e9 rendue au faune Barberini par Bouchardon pour se faire reconnaitre puisse \u00eatre un hasard.<\/p>\n<p>On s\u2019ennuie, parce qu\u2019on passe \u00e0 cot\u00e9 \u2026 faute de propos, et de moyens (l\u2019\u00e9clairage, vraiment !).<\/p>\n<ol id=\"footnotes\">\n<li id=\"fn1\"><a href=\"http:\/\/www.louvre.fr\/expositions\/bouchardon-1698-1762une-idee-sublime-du-beau\">http:\/\/www.louvre.fr\/expositions\/bouchardon-1698-1762une-idee-sublime-du-beau<\/a> <a href=\"#ffn1\">\u21a9<\/a><\/li>\n<li id=\"fn2\">Voir poste pr\u00e9c\u00e9dent : <em>Le XVIIIe au Louvre : l&rsquo;Antiquit\u00e9 r\u00eav\u00e9e et Messerschmidt<\/em> <a href=\"#ffn2\">\u21a9<\/a><\/li>\n<\/ol>\n","protected":false},"excerpt":{"rendered":"<p>Peut-on sauver l\u2019exposition Edme Bouchardon au Louvre ?1. Pas s\u00fbr. Certes, l\u2019Amour taillant son arc2 \u2026 est sans conteste une des plus belles sculpture classique qui soit, chef-d\u2019oeuvre d\u2019ambigu\u00eft\u00e9. H\u00e9las, l\u2019organisation banalement chronologique au risque de l\u2019ennui et l\u2019\u00e9clairage calamiteux &#8211; euph\u00e9misme &#8211; rappellent qu\u2019une exposition n\u2019est pas que l\u2019accrochage aux murs de quelques dessins [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"footnotes":""},"categories":[3,6],"tags":[],"_links":{"self":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts\/766"}],"collection":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=766"}],"version-history":[{"count":3,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts\/766\/revisions"}],"predecessor-version":[{"id":844,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=\/wp\/v2\/posts\/766\/revisions\/844"}],"wp:attachment":[{"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=766"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=766"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sntrvfl.org\/blogpat\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=766"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}